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| Artist: Mars Lasar- Genre: New Age | |||
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Olympus is a series of uplifting and romantic adventures that capture the true spirit of the Olympic Games. This is powerful music unlike any you've ever heard. |
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| A NOTE FROM MARS: | |||
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after arriving in the USA from Australia I made a compilation of my recent
work and sent them out to various labels. Out of the dozen or so tapes we
sent, we had a strong reply from Real Music CA. This lead to my first artist
contract. "Olympus" was a compilation of new and old material.
I sketched out an idea for the cover and faxed it to the label (see
the sketch), they were thrilled and the result is as you see the cover
today (see the painting). "Awakenings"
was inspired by the Robin Williams film "Awakenings". "Black
Elk" was written after working on a documentary about the Declaration
of Independence and learning about the history of the Native Americans.
I found some similarities between these people and the Australian Aboriginals. Tracks from "Olympus" were used during the 1992 Winter Olympics. In fact. an official wrote me about how my work captured the spirit of the games. After the cover was painted it all came together. Tracks like "Victory", "Champions" and "Mount Olympus" came to life and it became clear that "Olympus" would be a collection of personal victories. Shortly after its release the album was being played in heavy rotation on radio across the USA, I was pleasantly surprised and knew there was something to this life long experiment of mine - Let's do more!! |
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| Reviewed
by Paul Verna, Chris Morris, and Edward Morris Composer/synthesist/keyboardist whose tunes were used during the 1992 Winter Olympics broadcasts releases a 13-tune set of atmospheric songs including cascading "Flight Of The Phoenix," jangle "Gypsy Legend'" and soaring, pulsating "Victory." Also noteworthy is "Awakenings," inspired by the Robert DeNiro/Robin Williams movie. |
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| A
CD to be Heard, June 23, 2000 Reviewer: Sifu Zhou from Miami, Florida To be honest, I purchased this thinking that many tracks would be the same as on the main albums, Track 4 is my favourite, catching a dark eastern atmosphere, followed by Black Elk. There are some tracks which don't quite hack it like track 2, sounding like an Arabic budget fairy tale series theme. It's all orientated to middle eastern new age, as you would expect, with spot-on cover art. A good mix of tracks are here giving a 'different' atmosphere - definately one for fans of new age or for unusual backing music. Some of these tracks could have easily been used in films like 'The Mummy'. |
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